1990a – Sweet Charity
The Festival Players’ first show of the nineties was this tale of a Times Square working girl, with music by Cy Coleman, lyrics by Dorothy Fields and book by Neil Simon. Chris Wong took over musical direction duties from Brian “Tommy” Thomas for the first of three shows.
Director Clive Young
Associate Director Ann Buckingham
Musical Director Chris Wong
Choreographer Sara Brown
Lighting Design Paul Curtis
Set Design Stephen Buckingham & Clive Young
Costume Design & Wardrobe Diana Lloyd
1990b – Kismet
Tom Farrell directed this show, set in the Baghdad of the Arabian Nights. Written by Robert Wright and George Forrest, the musical tells the story of a wily poet and his beautiful daughter.
Director Tom Farrell
Musical Director Chris Wong
Choreographer Helen Thompson-Garner
Lighting Design Paul Curtis
Set Design Stage Productions Ltd
Costume Design Margaret Thorp and Isabel Munro
1990c – Jack the Ripper
The Festival Players returned to the ADC theatre with this musical version of the life and murders of Victorian killer Jack the Ripper.
Director David Morris
Musical Director Chris Wong
Lighting Designer David McRobb
Set Design David Morris
Costumes & Wardrobe Marian Hardy, Diana Lloyd
1991a – West Side Story
Sondheim and Bernstein’s transposition of Romeo and Juliet to 1950s New York saw the Sharks and the Jets fight their battles on the Mumford Theatre stage in 1991.
Director Ann Buckingham
Co-Director Stephen Attmore
Musical Director Chris Wong
Choreographer Sara Brown
1991b – Hello, Dolly
The Festival Players stayed in New York for their second show of 1991, as Cornelius and Barnaby steal away from their jobs in a Yonkers store for an adventure in the city, meeting matchmaking Dolly Levi on their way.
Director Jeremy Webb
Musical Director Brian Thomas
Choreographer Helen Thompson-Garner
Lighting Designer Paul Curtis
Set Design Roy Braybrooke
Costume Design & Wardrobe Katherine Free, Margaret Thorp, Sue Thornley, Barbara Edwards, Wallace Wareham
1992a – The Wizard of Oz
The Festival Players journeyed to Oz in 1992 in the musical adaptation of L. Frank Baum’s novel.
Director Steve Attmore
Musical Director Brian Thomas
Choreographer Helen Thompson
Producer Diane Aston
Director’s Assistant Nicky Oakes
1992b – Gigi
Lerner and Loewe’s musical, based on the novel by Colette, came to the Mumford Theatre in 1992, almost twenty years after its Broadway debut.
Director Brian Thomas
Musical Director Brian Thomas
Producer Joe Oakes
Choreographer Helen Thompson
Lighting Design Paul Curtis
Set Design Roy Braybrooke
Costume Design Peggy Warren
1993a – Tonight at 8
Director Michael J Holland
Musical Director Brian Thomas
1993b – Carousel
The Festival Players returned to the work of Rodgers and Hammerstein for their second show of 1993, Carousel. The Mumford Theatre was filled with songs such as ‘You’re a Queer One, Julie Jordan’ and the better-remembered ‘You’ll Never Walk Alone’.
Director Clive Young
Musical Director Brian Thomas
Choreographer June Wallman
Lighting Design Paul Curtis
Set Design Clive Young and Roy Braybrooke
Costume Design Diana Lloyd
1994a – Where’s Charley?
Based on the play Charley’s Aunt, the musical Where’s Charley opened on Broadway in 1948. Set in the Oxford University of the 1890s, Loesser and Abbott’s show takes George Abbott’s farce of Victorian social mores and adds musical numbers including ‘Better Get Out of Here’ and ‘The Woman in his Room’.
Director Margaret Thorp
Musical Director Brian Thomas
Choreographer Margaret Jacobs
Lighting Design David McRobb
Set Design Roy Braybrooke
Costume Design Margaret Thorp and Isabel Munro
1994b – Oklahoma
It was back to Oklahoma after seventeen years for the Festival Players in their second show of 1994. Brian ‘Tommy’ Thomas was once again musical director, as he had been in 1977.
Director Clive Young
Musical Director Brian Thomas
Choreographer Teresa Wallman
assisted by June Wallman
Lighting Design Paul Curtis
Set Design Clive Young
Costume Design Diana Lloyd
1995- Oh, What a Lovely War
Joan Littlewood’s 1963 musical about the Great War was barred from the West End by the Lord Chamberlain until Princess Margaret’s intervention caused a change of heart. By 1995, thankfully, the Festival Players’ production of the show suffered no such problems.
Director Steve Attmore
Musical Director Brian Thomas
Choreographer June Wallman
1996 – Cabaret
From one war to the eve of another, the Festival Players returned to a past success with their next show, Cabaret, sixteen years after their first production.Once again, Brian ‘Tommy’ Thomas connected the two versions, having served as musical director for both.
Director Clive Young
Musical Director Brian Thomas
Choreographer Helen Dyson
Lighting Design Paul Curtis
Set Design Roy Braybrooke
Costume Design Diana Lloyd
1997 –Half a Sixpence
Returning again to past successes, the Festival Players revisited Half a Sixpence in 1997, with a show described by the Cambridge Evening News as “a beautiful show, beautifully lit, deliciously danced and wonderfully sung. The harmonies in the finale were pure bliss.”
Director Rex Walford
Musical Director Brian Thomas
Choreographer Helen Thompson-Garner
Lighting Design Paul Curtis
Set Design Roy Braybrooke
Costume Design Margaret Thorp
1998 – Annie Get Your Gun
1998 saw another return for a popular favourite, as the Festival Players returned Irving Berlin’s show Annie Get Your Gun to the Mumford Theatre stage, with Brian ‘Tommy’ Thomas doubling up as director and musicval director. Combinations, in its review of the year, acclaimed the whole show, and had particular praise for Roy Braybrooke’s set design, and the performances of Linda Thomas (Annie Oakley) and Clive Young (playing Chief Sitting Bull).
Director Brian Thomas
Musical Director Brian Thomas
Choreographer June Wallman
Lighting Design Paul Curtis
Set Design Roy Braybrooke
Costume Design Diana Lloyd
1999 – Anything Goes
The final Festival Players show of the decade, century, and – indeed – millennium saw them set sail with Cole Porter aboard a ship bound for London from New York. Angela Singer, reviewing the show for the Cambridge Evening News, reckoned “The chorus songs were triumphant, … with some lovely harmonies, and the 11-piece band was a joy to hear”.
Director Clive Borrow
Musical Director Brian Thomas
Choreographer Theresa Goddard
Lighting Design Dave McRobb
Set Design Roy Braybrooke
Costume Design Margaret Thorp assisted by Jo Poole